by Congress’s annual appropriations bill. Now, though, that could change. “What's happening now is politically, people are starting to get tired of paying for the care of these horses,” Perry says. “And the Trump administration announced in their budget — the first time any president [has] said out loud — ‘We'd like to have all the available tools for managing these horses.’ And what that means...it's really a euphemism for selling those horses to slaughter and/or killing them.” In the wake of the novel coronavirus pandemic, many fashion and beauty brands have reallocated profit and repurposed production to help stop the spread of the virus. Fashion and beauty giantsLVMHandL’Oréal the project’s opener, and “Crush.” “To You” is a sweet ease into the project. Tackling the time-honored declaration of love, the track is described as synth-pop. “Crush,” on the other hand, takes cues from hip-hop and R&B. Featuring an 808-style base, it is undoubtedly the sultrier sounding of the bunch — which is fitting for a song that’s basically a loud ode to your crush, something I’m sure many would deem aspirational in this climate. Both offerings are classic SEVENTEEN goodness, but things take an even more interesting turn in the latter half of the album with the unit songs. When slaughterhouses did exist in the U.S., Perry says, USDA inspectors “couldn't prevent horses from being repeatedly injured, and even conscious and thrashing while they were hoisted up and bled out, and then dismembered.”