Kohn embarked on an emotional, moral, and spiritual journey. She revisited how it felt walking into Fox News for the first time, as the “lefty-lesbian,” the ultimate “other” for the conservative-leaning station. And she came to terms with the biggest source of emotional pain: her behavior as an elementary school bully, to a girl she calls “Vicky.” Throughout, Kohn is blunt, vulnerable, and extremely honest with herself, with the intent for the reader to imitate this intense introspection. teens were photographed in effort to capture “the innocence, awkwardness and also the imperfections of adolescence,” stated de Kluyver. In partnership with Colombo, de Kluyver focused on exaggerated eye makeup, meant to represent “people staying awake in their bedrooms looking at computer screens taking pictures of makeup they had done on themselves,” he expressed. The book finishes with a series done with Weir—a photographer who has worked with the likes of brands such asStella McCartneyMissoniandBalenciaga At first, you wanted to react and you did a little, but then you sat with it. Can you talk about the importance of just listening, in general? Just hearing other people out.MC: and really how the relationship with audiences is so much more different now because of social media. They've definitely revived and given sort of a reverie around shows that in the past didn't exist. When you [metaphorically] talk about ‘The House,’ it reminded me of institutions that have long boxed out Black and brown voices. How do you think that relationship should be in this day and age with those institutions?MC: